The font is exactly what I was looking for: big, chunky and no-nonsense. It's Poplar, for the font geeks.
Join me as I read as many thrillers as I can get my hands on: from hard boiled noir to forensic mystery, from modern greats to the old masters. I've also written a thriller of my own...
Sunday, 12 February 2012
The cover
My good friend John Ferguson has brought his considerable graphic design talents to bear on a cover for Halfway to Hell. I'm impressed:
John's done a really great job here, and given me exactly what I was looking for: something that is immediately identifiable as a thriller, but is striking enough to stand out from the pack. It looks modern, but at the same time the colours and font give it a retro 70s vibe. I think that nicely mirrors the neo-noir sensibility of the book.
The font is exactly what I was looking for: big, chunky and no-nonsense. It's Poplar, for the font geeks.
The font is exactly what I was looking for: big, chunky and no-nonsense. It's Poplar, for the font geeks.
Labels:
cover,
font,
graphic design
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